Humor Me

A young escape artist and budding magician named Joe Kavalier arrives on the doorstep of his cousin, Sammy Clay. While the long shadow of Hitler falls across Europe, America is happily in thrall to the Golden Age of comic books, and in a distant corner of Brooklyn, Sammy is looking for a way to cash in on the craze. He finds the ideal partner in the aloof, artistically gifted Joe, and together they embark on an adventure that takes them deep into the heart of Manhattan, and the heart of old-fashioned American ambition. From the shared fears, dreams, and desires of two teenage boys, they spin comic book tales of the heroic, fascist-fighting Escapist and the beautiful, mysterious Luna Moth, otherworldly mistress of the night. Climbing from the streets of Brooklyn to the top of the Empire State Building, Joe and Sammy carve out lives, and careers, as vivid as cyan and magenta ink.

A young student named Marito is toiling away in the news department of a local radio station. His young life is disrupted by two arrivals. The first is his aunt Julia, recently divorced and thirteen years older, with whom he begins a secret affair. The second is a manic radio scriptwriter named Pedro Camacho, whose racy, vituperative soap operas are holding the city's listeners in thrall. Pedro chooses young Marito to be his confidant as he slowly goes insane.

When the recently orphaned socialite Flora Poste descends on her relatives at the aptly named Cold Comfort Farm in deepest Sussex, she finds a singularly miserable group in dire need of her particular talent: organization.

They're an odd pair, to be sure: pale, rail-thin, black-clad Zelikman, a moody, itinerant physician fond of jaunty headgear, and ex-soldier Amram, a gray-haired giant of a man as quick with a razor-tongued witticism as with a sharpened battle-ax. Brothers under the skin, comrades in arms, they make their rootless way through the Caucasus Mountains, circa a.d. 950, living as they please and surviving however they can--as blades and thieves for hire and as practiced bamboozlers, cheerfully separating the gullible from their money. But when they are dragooned into service as escorts and defenders to a prince of the Khazar Empire, they soon find themselves the half-willing generals in a full-scale revolution--on a road paved with warriors and whores, evil emperors and extraordinary elephants, secrets, swordplay, and such stuff as the grandest adventures are made of.

Who says you can't run away from your problems? You are a failed novelist about to turn fifty. A wedding invitation arrives in the mail: your boyfriend of the past nine years is engaged to someone else. You can't say yes--it would be too awkward--and you can't say no--it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. QUESTION: How do you arrange to skip town? ANSWER: You accept them all. What would possibly go wrong? Arthur Less will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Saharan sandstorm, accidentally book himself as the (only) writer-in-residence at a Christian Retreat Center in Southern India, and encounter, on a desert island in the Arabian Sea, the last person on Earth he wants to face. Somewhere in there: he will turn fifty. Through it all, there is his first love. And there is his last.

What if you could live again and again, until you got it right? On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can -- will she?

A wealthy Padua merchant, Baptista, has two daughters. One day Lucentio, a student, comes to Padua, sees Bianca, the younger sister, and falls madly in love with her. He has heard, though, that Baptista will not allow Bianca to be married before her older sister, Katherina, a very forceful character who has a scornful attitude to men and expresses that without restraint. The situation regarding Bianca is very complicated and Lucentio’s entry into the equation makes things even more complicated. Two local men, Hortensio and the elderly Gremio, are pursuing Bianca but she doesn’t like either of them so they have to resort to a range of tactics to try and further their interest. Gremio hires Lucentio, disguised as a Latin tutor, to woo Bianca on his behalf. Hortensio poses as a musician to try and get into her company.

With wit and great empathy, Chris Bachelder introduces us to Charles, a psychologist whose expertise is in high demand; George, a garrulous public librarian; Fat Michael, envied and despised by the others for being exquisitely fit; Jeff, a recently divorced man who has become a theorist of marriage; and many more. Over the course of a weekend, the men reveal their secret hopes, fears, and passions as they choose roles, spend a long night of the soul preparing for the play, and finally enact their bizarre ritual for what may be the last time. Along the way, mishaps, misunderstandings, and grievances pile up, and the comforting traditions holding the group together threaten to give way.