Oh the Horror!

Anya could really use a friend. But her new BFF isn't kidding about the "Forever" part . . . Of all the things Anya expected to find at the bottom of an old well, a new friend was not one of them. Especially not a new friend who's been dead for a century. Falling down a well is bad enough, but Anya's normal life might actually be worse. She's embarrassed by her family, self-conscious about her body, and she's pretty much given up on fitting in at school. A new friend--even a ghost--is just what she needs. Or so she thinks.

Since its publication in 1897, Dracula continues to terrify readers with its depiction of a vampire with an insatiable thirst for blood.

Three clever book editors, inspired by an extraordinary fable they heard years before, decide to have a little fun. Randomly feeding esoteric bits of knowledge into an incredible computer capable of inventing connections between all their entries, they think they are creating a long lazy game--until the game starts taking over...

Almost two centuries after its publication, Frankenstein remains an indisputably classic text and Mary Shelley's finest work.

The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In "Gothicka, " Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives.

Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever and headaches. But for the unlucky one percent - and nearly five million souls in the United States alone - the disease causes "Lock In": Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge. A quarter of a century later, in a world shaped by what's now known as "Haden's syndrome," rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. The two of them are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an "integrator" - someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder becomes that much more complicated. But "complicated" doesn't begin to describe it. As Shane and Vann began to unravel the threads of the murder, it becomes clear that the real mystery - and the real crime - is bigger than anyone could have imagined. The world of the locked in is changing, and with the change comes opportunities that the ambitious will seize at any cost. The investigation that began as a murder case takes Shane and Vann from the halls of corporate power to the virtual spaces of the locked in, and to the very heart of an emerging, surprising new human culture. It's nothing you could have expected.

Paul Sheldon is a bestselling novelist who has finally met his number one fan. Her name is Annie Wilkes, and she is more than a rabid reader--she is Paul's nurse, tending his shattered body after an automobile accident. But she is also furious that the author has killed off her favorite character in his latest book. Annie becomes his captor, keeping him prisoner in her isolated house. Annie wants Paul to write a book that brings Misery back to life--just for her. She has a lot of ways to spur him on. One is a needle. Another is an axe. And if they don't work, she can get really nasty.

Set in an alternate matriarchal 1900's Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.

Richard Mayhew is a young businessman with a good heart and a dull job. When he stops one day to help a girl he finds bleeding on a London sidewalk, his life is forever altered, for he finds himself propelled into an alternate reality that exists in a subterranean labyrinth of sewer canals and abandoned subway stations below the city. He has fallen through the cracks of reality and has landed somewhere different, somewhere that is Neverwhere.

In one volume: The Haunting of Hill House, The Lottery, and much more, including We Have Always Lived in the Castle, now a major motion picture starring Taissa Farmiga and Sebastian Stan "The world of Shirley Jackson is eerie and unforgettable," writes A. M. Homes. "It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse." In this Library of America volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson's only collection of short fiction, whose disquieting title story-one of the most widely anthologized tales of the 20th century-has entered American folklore. Also among these early works are "The Daemon Lover," a story Oates praises as "deeper, more mysterious, and more disturbing than 'The Lottery,' " and "Charles," the hilarious sketch that launched Jackson's secondary career as a domestic humorist. Here too are Jackson's masterly short novels: The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay "Biography of a Story," Jackson's acidly funny account of the public reception of "The Lottery," which provoked more mail from readers of The New Yorker than any contribution before or since.

In the tranquil fields and meadows of long-ago England, there is a small hamlet that has stood on a jut of granite for 600 years. Just to the east stands a high stone wall, for which the village is named. Here, in the hamlet of Wall, young Tristran Thorn has lost his heart to the hauntingly beautiful Victoria Forester. And here, one crisp October eve, Tristran makes his love a promise -- an impetuous vow that will send him through the only breach in the wall, across the pasture...and into the most exhilarating adventure of his life.

Contains: Murders in the Rue Morgue -- Purloined letter -- Tell-tale heart -- Facts in the case of M. Valdemar -- Pit and the pendulum -- Tale of the ragged mountains -- Descent into the maelstrom -- Black cat -- "Thou art the man" -- Metzengerstein.

A definitive collection of stories from the unrivaled master of twentieth-century horror. Frequently imitated and widely influential, Howard Philips Lovecraft reinvented the horror genre in the 1920s, discarding ghosts and witches and instead envisioning mankind as a tiny outpost of dwindling sanity in a chaotic and malevolent universe.

A collection of over one hundred poems, and their variants, by Edgar Allan Poe

Timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. And as he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery--or will they bring him the untimely death they seem to foretell?

Set on Sullivan's Island, South Carolina, the plot follows William Legrand, who was recently bitten by a gold-colored bug. His servant Jupiter fears Legrand is going insane and goes to Legrand's friend, an unnamed narrator who agrees to visit his old friend. Legrand pulls the other two into an adventure after deciphering a secret message that will lead to a buried treasure.

In Margaret Atwood's dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead's commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive.

This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...

A young woman's husband defrauds her of her fortune, her identity and eventually her sanity. She is saved by her sister and a loyal man who loves her, and her two rescuers attempt to expose her husband. They meet a woman dressed all in white whose fate seems curiously intertwined with that of the young woman.